Paris,
Le Stadium, France, |
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| Notes: Popular belief has it this gig took place at the Paris Olympic Theatre, December 14th. In fact, the correct venue/date is Le Stadium, December 22nd. See review for full info. |
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| Edited vinyl
bootleg, and full cassette
version available. The second versions of 'Public Image' & 'Annalisa' are not included on the LP |
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Gig Review |
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| review by Geant-Vert
© 2000 Fodderstompf.com / Geant-Vert |
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I knew several people that were at the Brussels' gig. In the Belgian audience, there were about twenty French 'autonomes' - a left-winged organised gang. They were there for trouble and nothing else. Before the Parisian gig, I spoke with one of them (he was a friend of mine). He told me they had caused a fuss in Brussels, and that the band left the place after twenty minutes. He told me it was quite impossible to let PiL play 'Belsen was a Gas' in Paris. During the show he was close to me, and went mad after the song was played. If you've got the complete gig on tape, you don't need headphone's to understand the audience conversation between the song. It's this guy that yelled "casse-toi, fasciste ! Toi et tes chansons fascistes" ! The gig was stopped several times. Three or four times (the tape is complete with the number of songs but most of the interruptions are cut) I don't remember. Johnny was dressed in the same suit he wore in Atlanta 1978. With Jah Wobble sitting on his left. The light show was non-existant and the gig organisation terrible. It was completely disorganised. The place was about a third full and most of the people were sitting on the huge terraces. In front of the stage, 200-300 very excited wankers (about 50 Sid Vicious clones and the rest dressed up as Johnny Rotten). There was a lot of fighting between the two hours that separated the opening of the doors and PiL's appearance.
The sound was terrible and I was very surprised with the good quality bootleg recording that came out. You could buy the tape for 50 FF in a famous independent records shop in Paris very quickly after the show (the tape came with a Xerox black and white insert with a 'Homemade Records' label). To sum up the event, it was the most violent, chaotic and disorganised show I've ever seen. Too many people were waiting for a Sex Pistols gig. Too many were there for violence. I often wonder where Clinton Heylin got his information about the gig for his PiL book? In his opinion maybe this concert was the finest of the original line-up played, but I don't think they took a great pleasure to play this Parisian date. Geant-Vert |
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| Picture Credits:
(Thanks to Geant-Vert) Gig ticket Paris 1978 sticker |
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