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'PUBLIC IMAGE'
THE SINGLE, which ushered in the fondly remembered PiL line-up of Lydon,
Jah Wobble (bass), the ill-fated Keith Levene (guitar) and Jim Walker
(drums), For McGeoch, it was a single which broke moulds. "If was
a momentous track and I don't think that I'm over-aggrandising the thing.
You know, people say they remember where they were when Kennedy was
shot. Well, I remember hearing' 'Public Image' like that, and it was
a huge leap in approach and so on.
"A lot of people got
really angry, though. People were expecting to hear the Pistols, which
was basically a 70s rock 'n' roll sound. That attitude, which was definitely
prevalent, is really why John left the Pistols."
'PUBLIC IMAGE' -
THE LP
WHICH TURNED out to be a much less accessible proposition than the sharp
three-minute burst of the debut single.
"He found himself in
the position of having the ear of the public, and I don't think he abused
it. An awful lot of people who bought that album were shocked, but I
think their heads were turned as well.
"I daren't say 'educational',
but it really was something approaching that."
'METAL BOX'
CAME, REMARKABLY for its era, in a slimline biscuit-tin type package.
The initial format of three 12-inch singles made for housequaking, full
force rhythms whose only precursor for the punk generation were the
dub grooves of reggae. Walker departed while Jeannette Lee, whose role
was never clearly defined, arrived.
"'Metal Box' was definitely
challenging, experimenting. I know why it (the original PiL formation)
fell apart, but now isn't the time for me to be talking about it. But
I wish they had kept together, cos I liked what they were doing so much."
'FLOWERS OF ROMANCE'
IN WHICH PiL, behold, fell apart further with the departure of Wobble.
With Jeanette Lee and Levene still in tow, roles were much less clearly
defined than before.
"This is John working
with a sort of framework of a band. And something that was the nearest
he's come to, until quite recently, that answered the description of
the original concept of PiL being a sort of umbrella for various projects.
"I tend to think that
John was let down. He worked with unreliable people for a time and he
ended up continuing because he had some kind of… a faith in what
he was doing. And for the next three albums, from 'Flowers Of Romance',
you find John to all intents and purposes kind of recording it himself.
He didn't want to let the PiL flag wilt, but there's only so much you
can do on your own."
'THIS IS WHAT YOU
WANT… THIS IS WHAT YOU GET'
AN ALBUM of half-realised songs recorded by Lydon and drummer Martin
Atkins, distinguished by a few memorable lyrics, particularly the weirdly
autobiographical and brilliantly funny 'Tie Me To The Length' Of That'.
The period is better remembered for the godawful covers band which backed
Lydon on tour. . .
"Yeah, he picked up
a Holiday Inn band and toured with it. You saw them and I saw them doing
The Tube, and it was just nonsense, they were playing 'Anarchy'. It's
a joke. I don't know quite at whose expense. . .
"On the album, the songs
were there, and John just lacked people to follow the ideas through.
In a sense, his hands were tied, because him and Martin Atkins did the
album, and Martin, for all his talents, is a drummer.
'"Tie Me To The Length
Of That' is a great lyric: "When I was born the doctor didn't like
me/He grabbed my ankles/held me like a turkey/Dear mummy, why'd you
let him hit me? This was wrong, I knew you didn't love me, "and
so on.
"At the risk of becoming
melodramatic, and I'm sure John won't mind me telling you this, at the
time John's mum was dying of cancer. 'This Is Not A Love Song' (the
album's hit single) John wrote for his mother, and it was played at
the funeral. She heard it before she died when she was in hospital."
[sic: it should be 'Death Disco' not 'Love Song']
'ALBUM'
THE FUNCTIONALLY-titled artifact produced by metal head Bill Laswell
and featuring a cast of session men. Bit of a stonker.
"When he went in to
record the generic 'Album', there was a kind of flavour of the rather
bitter humour that was involved in doing something as daft as touring
with a Holiday Inn band. It was Ginger Baker on drums, Ryuichi Sakamoto
on keyboards, Steve Vai on guitar – a pretty star-studded
cast, basically, and suddenly he's working with a group of musicians
that can play.
"I actually heard demos
of the stuff from before, songs like 'Rise', which was called 'South
African Song' and 'FFF' and stuff, and it wasn't written as a heavy
metal album as such, but with the players and stuff, it came out like
that."
'HAPPY?'
THE ALBUM which launched the current PiL trio, with the addition of
drummer Bruce Smith and Lu Edmonds, both of whom left the band last
year – the latter due to a particularly excruciating ear complaint
called tinnitus.
"Well, to all intents
and purposes, it was like the first album. Before we made the album,
we'd toured for a year-and-a-half or something. We started to make the
album in '87, and writing together was just an organic development from
the way we were working together on the 'Album' material on tour.
"Initially, there was
a little bit of trepidation about this big move of having a band, but
after a couple of months we realised it was working out. There's a kind
of exuberance on 'Happy?'."
'9'
Something of a marketplace resuscitation for PiL - especially in America,
and neatly produced by pop maestro Stephen Hague.
"If 'Happy?' was our
first album, and '9' was, er, very much a second album. What I'm trying
to chip away at is that there's all these old cliches about a band's
first album and second album…
"I don't think '9' was
a bummer, but looking back with the luxury of hindsight, I'm more content
with 'Happy?' .
"We, in fact, started
to record '9' with Bill Laswell, but Bill was just out of order I'm
afraid. Lydon sacked him on the second day. He wanted to make a heavy
metal album. He had us round and it was nothing less than a lecture
that he gave us, that the American public needed John Lydon to make
a tough heavy metal album.
''The material that we had
written for '9' was written on computers, as was the new stuff and he
said, This is just disco. He wanted to throw out Alan and Bruce and
use his own musicians."
THE NEW single, 'Don't Ask
Me' is the perfect antidote to the annoyingly self-righteous Ark detergent
groupies down your local Tesco.
From an album yet to be recorded,
this finds PiL reduced to a core trio of Lydon, McGeoch and bassist
Alan Dias. McGeoch is as keen on it as are the general public. "Lydon
loved 'Don't Ask Me'. Alan wrote the music, but when we put the guitars
on it, he thought it sounded almost like a Pistols song or something.
It's a little bit of a stretch of the imagination, but…" |